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Kyoto Series No. 5 | Takenaka Kenji × Takezasado

Sale price $250.00

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The Narrative of Color: Abura-iro (油色 — Rapeseed Oil Yellow)

Kenji Takenaka's minimalist silhouette of historic architecture bathed in a nostalgic light. The canvas is tinted in 'Abura-iro' — a beautifully muted yellow born from pressed rapeseed flowers, bearing the warmth of a woodblock-style print. Much like the gentle rapeseed oil lamps that once illuminated the nights of old Japan, this art print radiates a soft, comforting warmth. May this serene and enduring glow bring a peaceful light to your space.


Artist: Takenaka Kenji
Art Print: Takezasado
Print Size: A4 — 11.75 × 8.25 inch
Frame Size: 20 × 16inch

Takenaka Kenji / Kyoto Series No. 5

Like the rapeseed oil lamps that lit the nights of old Japan, the silhouette of the ancient capital floats gently.

A canvas dyed in the beautifully muted yellow 'Abura-iro.' In the nostalgic light, the minimalist silhouette of historic architecture emerges. It is a memory of the mild, comforting light that once gently embraced the night.

Using a traditional color born from rapeseed flowers as the background, the artist expresses the silence and warmth of the ancient capital through the modern aesthetic of subtraction.

A serene, enduring glow. It gently envelops the space in peaceful, comforting light.

Kyoto Series No. 5 | Takenaka Kenji × Takezasado

[Contemporary Artistry Breaking the Mold of Tradition]

While Takezasado carries forward the Kyoto woodblock tradition of Takenaka Mokuhan, founded in 1891, it never dwells in the past. The reason MOK Arts focuses on Takezasado—and particularly its representative, Kenji Takenaka—lies in the explosive "artist's perspective" that transcends mere artisanal precision. Using centuries-old woodblock printing techniques as his tools, he freely orchestrates bold geometries, pop-art sensibilities, and the abstraction of light. Carving an entirely new "today" with ancient techniques, Takezasado's works will bring a striking, intellectual modernism to your space.

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